Currently On Sale On Sale: 2009 Archive On Sale: 2008 Archive On Sale: 2007 Archive All That Fosse GS: Clara Bow Met: Roméo et Juliette Val Lewton Spanish Cinema Now Pilar Miró La Guerra Filmada YFF: ...Dollhouse Accattone in Jazz GS: Battling Butler Pasolini The Iron Horse Freewheelin’: Music Docs David Fincher Whole Shootin' Match Rolex Art Weekend NYWIFT: Attica YFF: Murmur... Beyond Boundaries IN: Greensboro 10 Years HK Leo Awards 07 Chinese Modern Avant-Garde De Andrade For Goodis Sake YFF: Run Fatboy... Zeki Demirkubuz FCS: The Last Winter Latinbeat 07 Latinbeat 07 Sidebar Amores perros Duck Season Japón Violet Perfume... Gerard Depardieu IN: Life on the Mesa YFF: Bullets over B'way FCS: Executioner’s Song FCS: Them Green Screens: 11th Hour Polanski Scanners: NY Video Fest Woodfall Studios FCS: Norman Mailer SFP: Way Down East SE: After This... YFF: King of New York SE: Talk To Me Kino Live Earth FCS: Joshua Next Gen.: Scorsese Human Rights Watch IN: Banished SE: Evening New Italian Cinema YFF: The Story of Qiu Ju Magnum Barry Lyndon 4 from Schlesinger Lee Marvin Wide Awake White Nights Paul Mazursky Duke Ellington SE: Il Trittico YFF: Waitress SFP: Toons, Tunes... Carlos Saura China's Independents FCS: Electra FCS: Hot Fuzz African Film Festival Daniel Barenboim ND/NF Classics Tian Zhuangzhuang Offside Rendez-Vous FCS: P. Verhoeven IN: A Dream in Doubt Film Comment Selects YFF: In the Soup Donald Cammell SE: Days of Glory Farmanara Retro NY Jewish Film Festival Whitaker Films SE: Forest Whitaker SE: For Goodis Sakepostponed Dance on Camera 2007 On Sale: 2006 Archive On Sale: 2005 Archive Archive 2005 - To April Archive 2004 - WRT Archive 2003 - WRT Archive 2002 - WRT Archive 2001 - WRT Archive 2000 - WRT Archive 1999 - WRT Archive 1998 - WRT Archive 1997 - WRT Archive 1996 - WRT		Four Breakthroughs from Mexico’s New Cinema Latinbeat 2007 Sidebar September 7 – 18, 2007 From the recent success of the Iñárritu/Del Toro/Cuarón trio to broad success in the 1990s, Mexican cinema has lately been a meaningful presence in international cinema. This year, Latinbeat pays tribute to this powerful wave with a sidebar that features four outstanding films from Mexico that have received limited exposure and/or have acquired a greater significance in later years. All of these films have a strong authorial voice, and together they embody a vein of wholly original first works that broke ground stylistically and thematically. Admission: $11 general public; $7 members & students; $7 seniors weekday matinee screenings only. Please note: there is a $1.25 service charge per ticket ordered online and cash only transactions at the box office. To purchase tickets online click on the SHOWTIME under Buy Tickets.
			Amores perros Alejandro González Iñárritu, Mexico, 2000; 153m In this stunning debut, Alejandro González Iñárritu (Babel) effortlessly interweaves three complex storylines that collide via a terrible car crash. A young punk stumbles into the world of dog-fighting; an injured supermodel's designer pooch disappears under her apartment's floorboards; an ex-radical turned street person rescues a Rottweiler. Showing a sure narrative hand, González Iñárritu drives this gripping film from Tarantinoesque action into Buñuelian surrealism and back again, powering the ride with his own uncompromising vision of love's labors lost. Warning: Though the disclaimer states no animal was harmed, the film contains a number of graphic scenes in which dogs appear to be injured or killed.		Buy Tickets Sun Sep 9: 8:15 Thu Sep 13: 2:00
			Duck Season Temporada de patos Fernando Eimbcke, Mexico, 2004; 84m In the middle of another boring Sunday, left home alone by their parents, pals Flama and Moko order pizza and have thumbs ready for video games. Things don’t go as planned. A showdown with the pizza delivery man ensues, while Rita, a young girl from down the hall, arrives to bake her own birthday cake in their oven. Then the power in the building fails and the kids find themselves whiling away the time revealing their hopes and fears. Director Fernando Eimbcke casts a sharp light on adolescent love, friendship, loneliness, and estrangement in this finely crafted debut.		Buy Tickets Fri Sep 7: 4:00 Tue Sep 11: 8:45
			Japón Carlos Reygadas, Mexico, 2002; 128m Carlos Reygadas’ debut feature tells the story of a man who journeys to an isolated village in a canyon to take his life. Reygadas is less interested in plot than in immersing us in the unsettling experience of clashing extremes: his long takes of minute details of everyday life shock us not only for their violence, but for how they bring us up close with the sharp contrasts inherent in life and nature. Set to music by Bach, Shostakovich and Arvo Pärt, and shot on 16mm Cinemascope that heightens the film’s gritty yet lyrical quality, this tour de force by one of recent Mexican cinema's most promising talents won the Camera D’Or at the Cannes Film Festival in 2002.		Buy Tickets Fri Sep 7: 1:30 Mon Sep 10: 8:45
			Violet Perfume: No One Is Listening Nadie te oye: Perfume de violetas Maryse Sistach, Mexico, 2001; 90m Based on a true story, Violet Perfume follows Yessica and Miriam, two lower-class teenage girls who meet in high school in Mexico City and develop a deep and moving bond. Their daily routine and mutual trust is disrupted violently when Yessica is raped and starts to be regularly victimized by her violent stepbrother. The indifference and selfishness of the adult world that surrounds them destroys the girls’ friendship, bringing them too close to tragedy. Violet’s vertiginous pace and vibrant camera make it one of the more stylistically groundbreaking films to emerge from recent Mexican cinema.		Buy Tickets Fri Sep 14: 2:00 Sat Sep 15: 1:00